The Elevator is a smart commentary on corporate culture and a thrilling piece of theatre

Female employees of a tech company get stuck in an elevator in Eloise Snape’s timely play about AI, corporate culture and the patriarchy

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Literary Hub

The Artist’s Room Is Not a Neutral Space

At the BFI, Ruby has barely finished showing her film before the tax is levied: which parts are real? The interviewer wants origins, autobiography, the little certificate of suffering audiences sometimes seem to require before they trust invention. Ruby thinks

Demetris Papadimitropoulos·Sep 24, 2026

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The Conversation

Coyote vs. Acme follows a 100-year-old tradition of placing animated characters in our ‘real’ world

Films using a mixture of animated and live-action elements have been around since the earliest days of animated cinema.

Ruth Richards, Lecturer (Media), RMIT University·Sep 23, 2026

Hyperallergic

Arthur Jafa, King of Pop

His eclectic references and intuitive grasp of memes and virality set him apart as an artist taking assemblage and collage to new heights.

Stephanie Wambugu·Sep 25, 2026

Hyperallergic

An Unequal Artist Legacy Field Defines Who Gets to Be Remembered

A new report from the Joan Mitchell Foundation highlights deep structural issues affecting legacy work across the arts.

Anna Lee·Sep 23, 2026

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Artforum

Savior Complex: Populist Pugilism at the Lucas Museum of Narrative Art

“Where did George Lucas get this chip on his shoulder?”

Bryan Barcena·Sep 24, 2026

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Artforum

Jeffreen M.H. Ash Steps Down from Leadership of Threewalls

Jeffreen M.H. Ash will depart from her role as executive director of the Chicago cultural nonprofit Threewalls on September 30. She has spent eleven years at the contemporary art organization, whose mission is to support Black artists through collaboration and community and within Black feminist and diasporic traditions. “It has been a privilege to create […]

Thomas Patier·Sep 23, 2026