The Distracted State of the Union

I began writing nonfiction in the wake of September 11—and was published in print, in hard copy, by newspapers and magazines that would go on to cut pages, wages, and staff, if they didn’t fold altogether. Meanwhile, online was busy revising responsibility for the attacks: Bush II ordered them, Cheney let them happen, the American Deep State colluded with the Israelis, the Israelis colluded with the Saudis.

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Three Stories | Laurie Stone

Four billion years ago, amino acid molecules set loose by a dying star gathered into macromolecules, matter having a tendency to become more complex. Who asked it to? During the next half billion years, macromolecules evolved into living cells, first without nuclei, then into cells that could reproduce. One minute you’re matter and the next, poof, you’re alive! Has that ever happened to you? You need soup and the right temperature, things your grandmother would know about, but she hasn’t evolved yet. It’s all guesswork in the dark, the serious, falling-in-love dark. These cells develop DNA, a long molecule that encodes all the information an organism needs to survive. Then they go on a rampage. They do not take no for an answer. This is not some ex-boyfriend who keeps calling or Jessica Walters in Play Misty for Me, who has one date with Clint Eastwood and tries to kill his girlfriend. These cells print themselves like money.

https://www.nplusonemag.com/author/rcossipgmail-com/·Aug 20, 2018·1 min read

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Bad Atrocity Writing | Bruce Robbins

Why does writing well about atrocity matter? Because the history of the world, a history that is morally unimaginable without atrocity, needs to be written, rewritten, well written. To know what really happened, to know what it really felt like, we need more sentences that are capable of opening readers to events so horrible that the senses and the memory close down; sentences that open multiple perspectives on those atrocities, even if they seem to allow for only one perspective — sentences that do all this without losing their hold on logic and grammar and, for that matter, their rhythm

https://www.nplusonemag.com/author/rcossipgmail-com/·Aug 20, 2018·1 min read

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Society as Checkpoint | Gregory Afinogenov

The constant document checks on buses and trains, whose racialized criteria are evident in cell phone videos, build on the methods of Joe Arpaio to paint crosshairs on people of color regardless of documentation status. Digging up decades-old legal troubles—once a practice cited with horror by anticommunist critics of Stalinism—grows more popular as a deportation technique. More such disruptive innovations are undoubtedly forthcoming.

https://www.nplusonemag.com/author/rcossipgmail-com/·Aug 20, 2018·1 min read

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Issue 32 Reading Party at Ace

A night of drinks and readings from the latest issue.

https://www.nplusonemag.com/author/rcossipgmail-com/·Aug 22, 2018·1 min read

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Piss Trump

Hannity mimes surveillance footage from eight separate cameras in the bedroom of the presidential suite of the Ritz-Carlton, Moscow in November 2013, Trump in suit and tie clapping his hands twice smartly to begin the festivities, a pair of dancers entering the bedroom to the tune of Tchaikovsky’s “Sugar Plum Fairy Dance” . . .

https://www.nplusonemag.com/author/mark-krotovgmail-com/·Aug 17, 2018·1 min read

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<em>Notes on an Appearance</em>

n+1 contributor Ricky D’Ambrose’s debut feature film, Notes on an Appearance, opens this Friday at the Film Society of Lincoln Center. A 2018 New Directors/New Films selection, Notes on an Appearance also features appearances by n+1 film critic A. S. Hamrah and n+1 publisher Mark Krotov.

https://www.nplusonemag.com/author/mark-krotovgmail-com/·Aug 14, 2018·1 min read