Is This What “Made in America” Looks Like?

Christopher Payne’s photographs at Cooper Hewitt sidestep questions of economic uncertainty and geopolitical strife to spotlight the craftsmanship of factory workers.

Related

Other articles with overlapping topics.

Hyperallergic

My Queasy, Forest-Scented Stroll Through LA’s New AI Art Museum

Refik Anadol’s Dataland is a whirling, glaring, hyper-stimulating audio-visual-olfactory voyage that has more in common with Disneyland.

Matt Stromberg·Jun 9, 2026

Hyperallergic

7 Art Books You Should Read This Pride Month

A joint biography of Peter Hujar and Paul Thek, a catalog on Martin Wong’s Chinatowns, Catherine Opie’s portraiture, queer nightlife through the ages, and more.

Lakshmi Rivera Amin·Jun 9, 2026

Hyperallergic

Artists Scramble to Rescue Works After Queens Building Fire

Linda Ganjian worked to salvage pieces from water damage after a blaze erupted in the Long Island City building where she and Ilan Averbach had studios.

Aaron Short·Jun 9, 2026

Hyperallergic

Nayland Blake Doesn’t Believe in Fixed Selves

“You have to be a person who champions other work,” they told Hyperallergic, “so that you build the context within which your work can be legible.”

Lisa Yin Zhang·Jun 9, 2026

H

Hyperallergic

Knicks, Tribeca, Pride!

We started our series of interviews with queer and trans elders, and the Guggenheim kicks off its World Cup screenings.

Lisa Yin Zhang·Jun 9, 2026

Hyperallergic

SAIC Puts Professor on Leave After Palestine Reference

The Chicago school is investigating the chair of its art therapy graduate program after she assigned a case study that touched on pro-Palestine activism.

Isa Farfan·Jun 9, 2026