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This first appeared in Lit Hub’s Craft of Writing newsletter—sign up here. I’d been sculpting and drawing since I was sixteen but when, at forty, I started writing short stories and novels, all my desire to sculpt fell away. I still have my chisels,
“Nothing stops me except the publishing industry,” quipped the novelist and AIDS historian, who cut her teeth as an East Village journalist writing for queer and feminist papers.
Our flock of fabulous reviews this week includes Scaachi Khol on Jill Biden’s View From the East Wing, Lincoln Michel on Deb Olin Unferth’s Earth 7, Michael Faber on M. John Harrison’s The End of Everything, William T. Vollmann on
“For the past twenty-five years, she has waged a sustained assault on the ideology of poetic sincerity.”
“People are buffeted byhistory sometimes in ways that they don't realize. Ourfamily was buffeted by these forces that were much greater than us.” The post Ada Ferrer on “Keeper of My Kin: Memoir of an Immigrant Daughter” appeared first on Public Books.
The author and memoirist spoke to Hyperallergic about curating the work of Cuban painter Rocío García, whose characters linger in the space where power and pleasure meet.
