Lit Hub Daily: June 17, 2026

By Lit Hub DailyJune 17, 2026

Why Robert W. Service’s “The Cremation of Sam McGee” is a good poem for bad dads. | Lit Hub Craft Aaron Boehmer considers the future of ethnic studies and academia in crisis: “While no protest, demonstration, or amount of organizing can

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Literature & Essays

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A Poem For Bad Dads: Annakeara Stinson on The Cremation of Sam McGee

Robert Service’s The Cremation of Sam McGee is a lyrical poem lodged deeply in the folds of my brain—but, naively, unconsciously, I figured my brother was the only other living soul who could say the same. The poem seemed like

Annakeara StinsonJun 17, 2026

Literary Hub

Lit Hub Daily: June 16, 2026

Sophie Lewis examines the phenomenon of heterofatalism. | Lit Hub Politics If you want a job as an astronaut, you need to nail the interview. | Lit Hub Memoir Erin Maglaque contextualizes her own experience of giving birth through the

Lit Hub DailyJun 16, 2026

Public Books

Edward Said, My Grandfather, and the Problem of Home

“Said's ‘Reflections on Exile’ summoned to mind the only 7 words my grandfather ever said to me about Ireland, where he had cousins he never knew: ‘I don’t think I’ll go back there.’” The post Edward Said, My Grandfather, and the Problem of Home appeared first on Public Books.

Morgan BarryJun 16, 2026

The Paris Review

Announcing Our Summer Issue

Featuring interviews with Harryette Mullen and Yan Lianke, prose by Lucy Ellmann and Chigozie Obioma, poetry by Frederick Seidel, and a cover by Alex Da Corte.

Emily StokesJun 16, 2026

Public Books

Who Benefits from Distorting American Studies?

“There is a movement undermining, constraining, and eradicating those who document, understand, and name the experiences of systematically marginalized communities in US history.” The post Who Benefits from Distorting American Studies? appeared first on Public Books.

Morgan BarryJun 17, 2026

The Paris Review

Making of a Poem: Hannah Piette on “Nijinsky Dancing”

“Nijinsky’s face layered in makeup became an apt figure for the poem I wanted to write—one in which a ‘civilian face’ could be recognized only through its effacement.”

Hannah PietteJun 17, 2026