Sanna Wani on Crafting a Poetics of Daughterhood

I have always been a writer that draws on my personal life in my writing. The two—my creative practice and my life—often travel often side by side, one after the other, each taking turns leading. So when I am asked

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The New Yorker

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“Narrow Escape,” by Aleksandr Solzhenitsyn

Fiction by Aleksandr Solzhenitsyn, in English for the first time: The police lieutenant appeared to be writing down exactly what Gleb was telling him, but relying upon completely different words.

Aleksandr Solzhenitsyn·Sep 27, 2026·14 min read

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Literary Hub

Two great works of art to ease your transition into autumn.

To my fellow summer weary, too sweaty, beach-skeptical readers out there: We made it. We’ve officially crossed the threshold into fall, and it feels great. Summer’s brash extroversion is finally at an end and I’m very much looking forward to

James Folta·Sep 23, 2026

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Literary Hub

Elizabeth Alexander on Finding Life in the Second Spring of Middle Age

If I could have been a dancer, a real dancer, beyond those years at St. Mark’s, I probably would have done it. But my gifts were not that lavish, and my considerable drive was directed toward more than just dance.

Elizabeth Alexander·Sep 25, 2026

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The Paris Review

“Do You Think This Conversation Is Going Well?” and Other Pickup Lines

“The dating app has engineered what one might call an Enneagrammatical system of bookish star signs.”

Gemma Sieff·Sep 25, 2026

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Public Books

The Treachery of Machine Realism

“The bombed elementary school in Iran appears to have become a target thanks to satellite imaging. In this case, what the image represented — and to who — was a matter of life and death.” The post The Treachery of Machine Realism appeared first on Public Books.

Morgan Barry·Sep 23, 2026

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The Paris Review

John Berger, Death’s Secretary: A Conversation with Tom Overton

“The first letter I sent to him was about a print that he’d made, which was in the archive—a Chagall-inspired Virgin Mary standing on a donkey.”

Scott Schomburg·Sep 24, 2026