“Ode to a Leaf Blower,” a Poem by Jill Bialosky

Leaves tangled & braided in limp limbs of the still surviving perennials, our yard a battlefield of trees towering at least seventy feet high, squeezing out the sun, & slowly letting go of their dead. I suited up in jeans,

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The New Yorker

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“Narrow Escape,” by Aleksandr Solzhenitsyn

Fiction by Aleksandr Solzhenitsyn, in English for the first time: The police lieutenant appeared to be writing down exactly what Gleb was telling him, but relying upon completely different words.

Aleksandr Solzhenitsyn·Sep 27, 2026·14 min read

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Literary Hub

Two great works of art to ease your transition into autumn.

To my fellow summer weary, too sweaty, beach-skeptical readers out there: We made it. We’ve officially crossed the threshold into fall, and it feels great. Summer’s brash extroversion is finally at an end and I’m very much looking forward to

James Folta·Sep 23, 2026

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Literary Hub

Sanna Wani on Crafting a Poetics of Daughterhood

I have always been a writer that draws on my personal life in my writing. The two—my creative practice and my life—often travel often side by side, one after the other, each taking turns leading. So when I am asked

Sanna Wani·Sep 24, 2026

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The Conversation

Australian poetry classics: Les Murray’s The Broad Bean Sermon is inexhaustible food for contemplation

The Broad Bean Sermon, while not his best-known poem, shows why Les Murray is considered by some to be Australia’s preeminent poet.

David McCooey, Professor of Writing and Literature, Deakin University·Sep 24, 2026

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Public Books

The Treachery of Machine Realism

“The bombed elementary school in Iran appears to have become a target thanks to satellite imaging. In this case, what the image represented — and to who — was a matter of life and death.” The post The Treachery of Machine Realism appeared first on Public Books.

Morgan Barry·Sep 23, 2026

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The Paris Review

John Berger, Death’s Secretary: A Conversation with Tom Overton

“The first letter I sent to him was about a print that he’d made, which was in the archive—a Chagall-inspired Virgin Mary standing on a donkey.”

Scott Schomburg·Sep 24, 2026